Govinda Deekshit, who was a minister in the court of King Achyuta Nayaka of Tanjavore, is believed to have written an introduction to "Sangeeta Sudha". Īround 1650 AD, Raghunatha Nayaka wrote "Sangeeta Sudha", where he has quoted a lot about "Sangeeta Saara" by Maadhava- VidhyaraNya. Tulajaji, the Maharashtra ruler of Tanjore (1729-35 A.D.), writes of the music of Haridasas in his book Sangita Saramrita, and venerates Vyasaraya and Purandaradasa as great composers. Of their time and prepared for the future by influencing some of the composers who came after them. Others of the Haridasa movement, helped shaped the music Among the Haridasa movement, Purandara Dasa who is known as the Sangeeta Pitamaha (the grandfather of Carnatic music), is credited with the founding of the system of teaching Carnatic music. Ĭarnatic music saw renewed growth during the Vijayanagar Empire by the Kannada Haridasa movement of Vyasaraja, Purandara Dasa, Kanakadasa and others. Apart from strengthening the sangeeta shaastras (sangeeta shaastra pravartane) by writing "Sangeeta Saara", they were also ministers of the Vijayanagara Empire, and Heads of Shringeri Mutt.
Later, in 1350 CE, South Indian classical music obtained a well-defined structure through the works of Maadhava and VidhyaraNya. He hailed from Devagiri, which was at the time a part of Karnataka (but is now Daulatabad, province of Hyderabad). Īround 1200 CE, a scholar by name "Shaarjnadeva" wrote a treatise, which was named as "Sangeeta Ratnakara" - an Indian musical treatise that is considered to be the first documented work on South Indian classical music. After that, independent growth of classical music occurred across different parts of India, in different forms. For a considerable period of time it was one of the only authoritative treatise (PramaaNa Grantha) for the whole of India. It is estimated that only during the period of Bharatamuni (300 BC) were the theories of sangeeta documented for the first time, and this was termed as "Naatya Shaastra". First classical music began as abhyasa, and it was only later that shaastras were formed. In earlier times, Sangeeta Shaastra followed the "Guru-Shishya" tradition, and there did not exist any written text. The Wodeyars of Mysore were great patrons of the arts. With the rise of Vaishnavism and the Haridasa movement came prominent composers from Karnataka like Purandaradasa, Kanakadasa, Vijaya Dasa and Jagannathadasa. Later, Vidyaranya's Sangitasara, Ventamakhin's Chaturdandi Prakashika and Chaturkallinatha's Sangitaratnakara further refined these traditions. Karnataka is a state of India with a long tradition of innovation in the fields of both Carnatic and Hindustani classical music.īasaveshwara, King of Kalyana, leader of the Bhakti movement and Prime Minister of Bijjala, created his Vachanas, an integral part of the Indian classical music's development during this period, which also saw the rise of composers like Chandraja, Shantala, Akka Mahadevi and Allama.
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